A Wrinkle in Time is largely faithful to the popular young-adult novel by the late Madeleine L'Engle, first published in 1962. (I loved it in 5th grade and read it again before seeing this film.) The modern multiracial cast may surprise some viewers; like most books written in those days, it assumed everyone is white. The story hasn't changed, however. Melding science fiction and fantasy, it's about three extraordinary children who search for a missing scientist the father of two of them. The kids receive unexpected help from three mysterious women (charmingly played by Oprah Winfrey, Reese Witherspoon, and Mindy Kaling) who seem to have supernatural powers. But the stars are Storm Reid as troubled daughter Meg, Deric McCabe as prodigy son Charles Wallace, and Levi Miller as their friend, Calvin. Although special effects beyond the reach of 1960s filmmaking help bring this marvelous story to life, director Ava DuVernay wisely preserves the book's theme: love versus evil.
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The Phantom Thread stars Daniel-Day Lewis in what he claims will be his last role. It's also his perfect role, because he's a fussy auteur who plays a fussy auteur. His character is a high-class English dress designer who caters to the wealthy and royalty. They are demanding clients, but he is equally demanding of himself and his staff. He's so fussy that the sound of someone buttering toast a little too briskly can ruin his whole day. Into this passive-aggressive environment he brings a hotel waitress who soon becomes his favorite model and assistant. Then things take a bitter turn. The acting, art direction, costuming, and cinematography in this period piece are superb, but the story is stupid. By the abrupt climax, the characters seem out of character. Maybe it's an allegory, like the fable of the emperor's new clothes. Or maybe this auteur film is wearing those clothes.
The Post dramatizes the 1971 publication of the Pentagon Papers in The Washington Post. Although The New York Times first broke the story, the Post soon followed. Their exposé of a classified history of the Vietnam War compiled for the Defense Department sparked a showdown before the U.S. Supreme Court. Meryl Streep plays an uncomfortable Katherine Graham, a D.C. socialite who became publisher of the Post after her husband's suicide. Tom Hanks plays hard-nosed editor Ben Bradlee, bringing a softer edge to the character than is perhaps justified. Matthew Rhys portrays Daniel Ellsberg, the former intelligence analyst who leaked the papers, but his role is relatively minor in this film. Instead, it focuses on the journalists' efforts to report the story, President Nixon's attempts to quash it, and the publisher's fear that the government will drive her newspaper out of business. For its historical drama and relevance to current events, The Post is one of the best movies of 2017.
>> See more mini-reviews, including All the Money in the World ... Lady Bird ... Star Wars: The Last Jedi ... Get Out ... Darkest Hour ... Three Billboards Outside Ebbing, Missouri ... Blade Runner 2049 ... Dunkirk ... Baby Driver ... Wonder Woman ... Alien: Covenant ... The Circle ... and many more!
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Here is an index to more than 180 of Tom's computer articles from BYTE Magazine published from 1992 to 1998. (BYTE ceased publication in June 1998.) Most articles are still available online and include the original photographs, figures, and screen shots.
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- The Death of BYTE Magazine. In 1998, after 23 years of operation, BYTE Magazine was shut down by its new owner, CMP Media. A year later, CMP launched BYTE.com as a very different web-only publication. To learn the inside story about what happened to the world's second personal computer magazine, see Tom's Unofficial BYTE FAQ: The Death of BYTE Magazine.
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